Band members become involved in a campaign to prevent the building of a new airport over their town.

Hannah (Lotte Andersen) is a housewife in a village Zealand, where she is married to the sad Carsten (Mikael Birkkjær). She sings in the mammal church choir along with his outspoken sister (Ditte Gråbøl). A choirmaster in transit - the black Jackson - get fired up during the chorus, as soon singing and joy - and Hannah is experiencing new feelings.

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On the eve of losing her family estate, actress Homa is blackmailed by a government agent with a compromising tape. Forced into a real-time video call with her estranged family, which has been exiled since the 1979 Revolution, decades of silence explode into raw confrontation. As old wounds resurface and accusations fly, the line between past and present blurs. Secrets unravel, betrayals are laid bare, and the long-buried fate of two sons lost to history comes roaring back.

Maki, an office worker at a small local company, has just divorced because her husband cheated her. She has no desire to embark on a new love affair, and the flush of her womanhood is now a dying flame.

A mad scientist creates a time travel pill, which two goofballs volunteer to test, transporting them to ancient Egypt as Marc Antony and Julius Caesar vying for the beautiful Cleopatra's love in a chariot race.

Polish teleplay based on Ephraim Kishon's play, concerning the characters of Romeo and Juliet and their alternate fate had they survived the events of Shakespeare's play and grew old together.

Jacques Rozier followed Bernard Ménez's tour in 1984 after the surprise success of his song "Jolie poupée". From a timecoded video in the possession of Jacques Rozier, post-production work was carried out in 2001 under the supervision of the director for his retrospective at the Center Pompidou. The element resulting from this work was digitized by the Cinémathèque française at the Hiventy laboratory in 2021.

Icelandic performance art meets Spinal Tap in this wickedly fun look at women behaving creatively. Three bandmates, Álfrún, Saga and Hrefna, of The Post Performance Blues Band, are tired of playing to audiences of five at their gigs and getting paid in beer. Each of them is staring down 40 and exhausting themselves juggling motherhood and their artistic pursuits. They decide to give themselves one year to either become popstars or quit the band for good. What follows is a make-it-or-break-it story of a band that's not really a band, pursuing a goal that is not actually attainable. Band member and filmmaker Álfrún Örnólfsdóttir puts herself, along with age and gender bias, on stage in this docu-parable about talented but not teenaged women trying to be successful in a youth-obsessed, overnight-success industry. Band allows gifted artists to perform the resilience and sisterhood that truly exists between life's messes, rejections and triumphs.

Was it a cult? A charismatic bandleader convinces four generations of Midlands factory workers to dedicate their lives, and their children’s, to his obsession with leading the world’s best marching band, whatever the cost.